{"id":1543,"date":"2021-02-22T10:44:36","date_gmt":"2021-02-22T10:44:36","guid":{"rendered":"http:\/\/communio.pl\/?p=1543"},"modified":"2021-04-23T19:56:11","modified_gmt":"2021-04-23T19:56:11","slug":"chrzescijanska-niechec-do-teatru-linia-genealogiczna-christian-anti-theatrical-resentment-a-genealogical-line","status":"publish","type":"post","link":"https:\/\/communio.pl\/?p=1543","title":{"rendered":"CHRZE\u015aCIJA\u0143SKA NIECH\u0118\u0106 DO TEATRU. LINIA GENEALOGICZNA \/ CHRISTIAN ANTI-THEATRICAL RESENTMENT. A GENEALOGICAL LINE"},"content":{"rendered":"\n<h2> PETER W. MARX<br>University of Cologne, Germany <\/h2>\n\n\n\n<p>DOI: 10.48224\/COM-212-2020-103<br><strong>Abstract<\/strong><\/p>\n\n\n\n<p>The article seeks to trace the Christian tradition of anti-theatrical resentments which is usually traced back to the patristic literature. More specifically, the article argues that theatre and performance becomes a privileged place for negotiating and acting out the denominational differences during the Reformation. While, in particular, Pietists and Puritans openly fought theatre as diablic forces, the Roman church navigated a middle course between social rejection and using theatrical means for their purposes. Especially, the Jesuits and their spiritual practices, developed a more flexible through line. Eventually performes, such as Catharina Elisabeth Velten, fought these attitudes in order to secure the social status of actors and performers.<\/p>\n\n\n\n<p><br><strong>Keywords:<\/strong> anti-theatrical prejudices, reformation, anti-reformation, early modern period, emergence of professional theatre<\/p>\n\n\n\n<p> <\/p>\n\n\n\n<p><strong>Streszczenie<\/strong><\/p>\n\n\n\n<p> Artyku\u0142 stara si\u0119 prze\u015bledzi\u0107 chrze\u015bcija\u0144sk\u0105 tradycj\u0119 antyteatralnych resentyment\u00f3w, kt\u00f3ra zwykle wywodzi si\u0119 z literatury patrystycznej. Dok\u0142adniej rzecz ujmuj\u0105c, artyku\u0142 dowodzi, \u017ce teatr i performance s\u0105 uprzywilejowanym miejscem negocjowania i odgrywania r\u00f3\u017cnic wyznaniowych w okresie reformacji. Podczas gdy w szczeg\u00f3lno\u015bci piety\u015bci i purytanie otwarcie walczyli z teatrem jako si\u0142ami diabelskimi, Ko\u015bci\u00f3\u0142 Rzymsko Katolicki obra\u0142 kurs po\u015bredni mi\u0119dzy odrzuceniem spo\u0142ecznym a wykorzystaniem do swoich cel\u00f3w \u015brodk\u00f3w teatralnych. Zw\u0142aszcza jezuici ze swoimi praktykami duchowymi wypracowali lini\u0119 bardziej elastyczn\u0105. Ostatecznie performerki, takie jak Catharina Elisabeth Velten, walczy\u0142y z tymi postawami, aby zabezpieczy\u0107 status spo\u0142eczny aktor\u00f3w i performer\u00f3w. <\/p>\n\n\n\n<p><strong>S\u0142owa kluczowe<\/strong>: uprzedzenia antyteatralne, reformacja, anty-reformacja, epoka nowo\u017cytna, powstanie teatru zawodowego <\/p>\n\n\n\n<p>(dalsza cz\u0119\u015b\u0107 artyku\u0142u w wydaniu papierowym)Akapit<\/p>\n\n\n\n<p>  <a href=\"javascript:history.back()\">&lt;&lt;wstecz<\/a>  <br><\/p>\n\n\n<p><!--EndFragment--><\/p>","protected":false},"excerpt":{"rendered":"<p>PETER W. MARXUniversity of Cologne, Germany DOI: 10.48224\/COM-212-2020-103Abstract The article seeks to trace the Christian tradition of anti-theatrical resentments which is usually traced back to the patristic literature. More specifically, the article argues that theatre and performance becomes a privileged place for negotiating and acting out the denominational differences during the Reformation. While, in particular, &hellip; <a href=\"https:\/\/communio.pl\/?p=1543\" class=\"more-link\">Czytaj dalej<span class=\"screen-reader-text\"> CHRZE\u015aCIJA\u0143SKA NIECH\u0118\u0106 DO TEATRU. LINIA GENEALOGICZNA \/ CHRISTIAN ANTI-THEATRICAL RESENTMENT. A GENEALOGICAL LINE<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/communio.pl\/index.php?rest_route=\/wp\/v2\/posts\/1543"}],"collection":[{"href":"https:\/\/communio.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/communio.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/communio.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/communio.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1543"}],"version-history":[{"count":3,"href":"https:\/\/communio.pl\/index.php?rest_route=\/wp\/v2\/posts\/1543\/revisions"}],"predecessor-version":[{"id":1567,"href":"https:\/\/communio.pl\/index.php?rest_route=\/wp\/v2\/posts\/1543\/revisions\/1567"}],"wp:attachment":[{"href":"https:\/\/communio.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/communio.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/communio.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}