{"id":1546,"date":"2021-02-22T10:46:21","date_gmt":"2021-02-22T10:46:21","guid":{"rendered":"http:\/\/communio.pl\/?p=1546"},"modified":"2021-02-22T10:46:21","modified_gmt":"2021-02-22T10:46:21","slug":"chrzest-dionizosa-mit-kult-teatr-i-wczesne-chrzescijanstwo-baptizing-dionysus-myth-cult-theater-and-early-christianity","status":"publish","type":"post","link":"https:\/\/communio.pl\/en\/2021\/02\/22\/chrzest-dionizosa-mit-kult-teatr-i-wczesne-chrzescijanstwo-baptizing-dionysus-myth-cult-theater-and-early-christianity\/","title":{"rendered":"CHRZEST DIONIZOSA? MIT, KULT, TEATR I WCZESNE CHRZE\u015aCIJA\u0143STWO \/ BAPTIZING DIONYSUS? MYTH, CULT, THEATER AND EARLY CHRISTIANITY"},"content":{"rendered":"<h2 class=\"wp-block-heading\"> SUSANNE NORDHOFEN <br>Bischof-Neumann-School of Koenigstein, Germany<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">DOI: 10.48224\/COM-212-2020-120<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dionysos is the central figure for the development of the ancient theatre. He is accompanied by women in an ecstatic mood, which are the model for the chorus. Most of the dramatic plots are inspired by myths of Heroes and demigods. Especially the concepts of cyclical time and arche rule tragedy and cultus as well. These influences could be tracked in various elements of the eucharistic liturgy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Keywords<\/strong>: Bacchic mysteries, ancient Greek religion, mythology, eucharist, ritual, theatre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> <strong>Streszczenie <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dionizos to centralna posta\u0107 rozwoju staro\u017cytnego teatru. Towarzysz\u0105 mu kobiety w ekstatycznym nastroju, kt\u00f3re s\u0105 wzorem dla ch\u00f3ru. Wi\u0119kszo\u015b\u0107 dramatycznych akcji, fabu\u0142 jest inspirowana mitami o herosach i p\u00f3\u0142bogach. Tragedi\u0105 i kultem rz\u0105dz\u0105 zw\u0142aszcza koncepcje czasu cyklicznego i arche. Wp\u0142ywy te mo\u017cna by\u0142o prze\u015bledzi\u0107 w r\u00f3\u017cnych elementach liturgii eucharystycznej. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>S\u0142owa kluczowe<\/strong>: kulty Dionizosa, religia staro\u017cytnej Grecji, mitologia, Eucharystia, rytua\u0142, teatr <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(dalsza cz\u0119\u015b\u0107 artyku\u0142u w wydaniu papierowym)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">   <a href=\"javascript:history.back()\">&lt;&lt;wstecz<\/a>   <\/p>","protected":false},"excerpt":{"rendered":"<p>SUSANNE NORDHOFEN Bischof-Neumann-School of Koenigstein, Germany DOI: 10.48224\/COM-212-2020-120 Abstract Dionysos is the central figure for the development of the ancient theatre. He is accompanied by women in an ecstatic mood, which are the model for the chorus. Most of the dramatic plots are inspired by myths of Heroes and demigods. Especially the concepts of cyclical [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,21],"tags":[],"class_list":["post-1546","post","type-post","status-publish","format-standard","hentry","category-communio","category-communio-artykul"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v22.1 (Yoast SEO v28.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>CHRZEST DIONIZOSA? MIT, KULT, TEATR I WCZESNE CHRZE\u015aCIJA\u0143STWO \/ BAPTIZING DIONYSUS? 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