{"id":1533,"date":"2021-02-22T10:37:18","date_gmt":"2021-02-22T10:37:18","guid":{"rendered":"http:\/\/communio.pl\/?p=1533"},"modified":"2021-02-22T10:37:18","modified_gmt":"2021-02-22T10:37:18","slug":"hans-urs-von-balthasar-o-teatrze-i-dramacie","status":"publish","type":"post","link":"https:\/\/communio.pl\/en\/2021\/02\/22\/hans-urs-von-balthasar-o-teatrze-i-dramacie\/","title":{"rendered":"HANS URS VON BALTHASAR O TEATRZE I DRAMACIE"},"content":{"rendered":"<p class=\"has-large-font-size wp-block-paragraph\"><strong>HANS URS VON BALTHASAR ON THEATRE AND DRAMA<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"> ALOIS M. HAAS<br>University of Zurich, Switzerland  <br><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"> DOI: 10.48224\/COM-212-2020-32<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> In his major work \u201eTheodramatik\u201d the swiss theologian Hans Urs von Balthasar outlines a theology with dramatic categories. The dramatic structure of human actions and intentions points to the existential tendency to transcend oneself. But Balthasar is not only concerned with the affinity of theology for theatrical forms of expression, but, that is the deciding point, revelation itself is a dramatic event for him.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> <strong>Keywords<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> Theater, systematic theology, dogmatics, God, Christology, anthropology, aesthetics, performance, Raymund Schwager <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Streszczenie<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> W swoim g\u0142\u00f3wnym dziele \u201eTheodramatik\u201d szwajcarski teolog Hans Urs von Balthasar przedstawia w og\u00f3lnym zarysie teologi\u0119 z kategoriami dramatu. Dramatyczna struktura ludzkich dzia\u0142a\u0144 i intencji wskazuje na egzystencjaln\u0105 tendencj\u0119 do przekraczania siebie. Cho\u0107 Balthasar zajmuje si\u0119 nie tylko podobie\u0144stwem teologii z teatralnymi formami wyrazu, jednak samo objawienie si\u0119 jest dla niego dramatycznym i decyduj\u0105cym wydarzeniem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>S\u0142owa kluczowe<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> teatr, teologia systematyczna, dogmatyka, B\u00f3g, chrystologia, antropologia, estetyka, performance, Raymund Schwager <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(dalsza cz\u0119\u015b\u0107 artyku\u0142u w wydaniu papierowym)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">  <a href=\"javascript:history.back()\">&lt;&lt;wstecz<\/a>  <br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>HANS URS VON BALTHASAR ON THEATRE AND DRAMA ALOIS M. HAASUniversity of Zurich, Switzerland DOI: 10.48224\/COM-212-2020-32 Abstract In his major work \u201eTheodramatik\u201d the swiss theologian Hans Urs von Balthasar outlines a theology with dramatic categories. The dramatic structure of human actions and intentions points to the existential tendency to transcend oneself. But Balthasar is not [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-1533","post","type-post","status-publish","format-standard","hentry","category-communio-artykul"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v22.1 (Yoast SEO v28.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>HANS URS VON BALTHASAR O TEATRZE I DRAMACIE - Communio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/communio.pl\/en\/2021\/02\/22\/hans-urs-von-balthasar-o-teatrze-i-dramacie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HANS URS VON BALTHASAR O TEATRZE I DRAMACIE\" \/>\n<meta property=\"og:description\" content=\"HANS URS VON BALTHASAR ON THEATRE AND DRAMA ALOIS M. HAASUniversity of Zurich, Switzerland DOI: 10.48224\/COM-212-2020-32 Abstract In his major work \u201eTheodramatik\u201d the swiss theologian Hans Urs von Balthasar outlines a theology with dramatic categories. The dramatic structure of human actions and intentions points to the existential tendency to transcend oneself. 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